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Women artists : the Linda Nochlin reader  Cover Image Book Book

Women artists : the Linda Nochlin reader

Nochlin, Linda (Author). Reilly, Maura, (editor.).

Summary: Women artists brings together thirty essential essays from throughout Linda Nochlin's career, including two written specially for this book, making this the definitive anthology of her writing about women in art.

Record details

  • ISBN: 9780500239292
  • ISBN: 0500239290
  • Physical Description: print
    472 pages : illustrations (chiefly color) ; 25 cm
  • Publisher: New York, New York : Thames & Hudson, 2015.

Content descriptions

Bibliography, etc. Note: Includes bibliographical references (pages 437-446) and index.
Formatted Contents Note: A dialogue with Linda Nochlin, the Maverick She -- 1970s : Why have there been no great women artists? -- Miriam Schapiro: recent work -- Some women realists -- Women artists after the French Revolution -- 1980s : Florine Stettheimer: rococo subversive -- Nancy Graves: the subversiveness of sculpture -- Morisot's Wet nurse: the construction of work and leisure in impressionist painting -- Zuka's French Revolution: a woman's place is public space -- 1990s : Pornography as a decorative art: Joyce Kozloff's patterns of desire -- Starting from scratch: the beginnings of feminist art history -- Mary Cassatt's modernity -- Sylvia Sleigh: portraits of women artists and writers -- Deborah Kass: portrait of the artist as an appropriator -- 2000s : Jenny Saville: floating in gender nirvana -- Mary Frank: encounters -- Seeing beneath the surface (Kathleen Gilje) -- A rage to paint: Joan Mitchell and the issue of femininity -- Sam Taylor-Wood: when the stars weep -- Alice Neel -- Unholy postures: Kiki Smith and the body -- Sarah Lucas: God is Dad -- "Why have there been no great women artists?" thirty years after -- Women artists then and now: painting, sculpture, and the image of the self -- Cecily Brown: the erotics of touch -- Existence and beading: the work of Liza Lou -- Black, white, and uncanny: Miwa Yanagi's Fairy tale -- Old-age style: late Louise Bourgeois -- 2010s : Sophie Calle: word, image and the end of ekphrasis -- Ellen Altfest: a new, new realism -- Natalie Frank: the dark side of the fairy tale.
Subject: Nochlin, Linda Interviews
Women artists
Genre: Interviews.

Available copies

  • 1 of 1 copy available at Kirtland Community College.

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  • 0 current holds with 1 total copy.
Show Only Available Copies
Location Call Number / Copy Notes Barcode Shelving Location Status Due Date
Kirtland Community College Library N 8354 .N63 2015 30775305530249 General Collection Available -

Electronic resources


Syndetic Solutions - Author Notes for ISBN Number 9780500239292
Women Artists : The Linda Nochlin Reader
Women Artists : The Linda Nochlin Reader
by Reilly, Maura (Author, Editor)
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Author Notes

Women Artists : The Linda Nochlin Reader

Linda Nochlin was the Lila Acheson Wallace professor of modern art emerita at New York University's Institute of Fine Arts. Her publications include The Body in Pieces: The Fragment as a Metaphor of Modernity; Women, Art and Power and Other Essays; The Politics of Vision: Essays on Nineteenth-Century Art and Society; Courbet; Mise`re: The Visual Representation of Misery in the 19th Century; and Women Artists: The Linda Nochlin Reader. Her essay "Why Have There Been No Great Women Artists?" is considered one of the most in influential texts in modern art history. Maura Reilly is a curator and arts writer, and executive director of the National Academy of Design in New York. As the founding curator of the Sackler Center for Feminist Art at the Brooklyn Museum, she launched the first exhibition and public programming space in the USA devoted entirely to feminist art, where she organized multiple exhibitions, including the permanent installation of Judy Chicago's Dinner Party and the blockbuster Global Feminisms (co-curated with Linda Nochlin.) Reilly has authored and edited many books and articles on contemporary art, including most recently Women Artists: The Linda Nochlin Reader (Thames & Hudson, 2015). She is the recipient of several prestigious awards, including a Lifetime Achievement Award from the Women's Caucus for Art, and in 2015 was voted one of the 50 most powerful people in the art world by both Blouin Art Info and Art+Auction. She received her MA and PhD from the Institute of Fine Arts at New York University.

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