Modernist women poets : an anthology
Record details
- ISBN: 9781619025424 (paperback)
- ISBN: 1619025426 (paperback)
- ISBN: 9781619021105 (hardback)
- ISBN: 1619021102 (hardback)
- ISBN: 9781619023246 (ebook)
- ISBN: 1619023245 (ebook)
-
Physical Description:
print
x, 372 pages ; 22 cm - Publisher: Berkeley, California : Counterpoint, [2015]
Content descriptions
Bibliography, etc. Note: | Includes bibliographical references (pages 364-370). |
Formatted Contents Note: | Lola Ridge -- Gertrude Stein -- Amy Lowell -- Elsa Von Freytag-Loringhoven -- Florence Wheelock Ayscough -- Adelaide Crapsey -- Angelina Weld Grimke -- Anne Spencer -- Mina Loy -- Frances Gregg -- Hazel Hall -- H.D. -- Marianne Moore -- Djuna Barnes -- Hildegarde Flanner -- Laura Riding -- Afterword by Robert Hass. |
Search for related items by subject
Subject: | American poetry Women authors American poetry 20th century Modernism (Literature) Women United States poetry |
Available copies
- 1 of 1 copy available at Kirtland Community College.
Holds
- 0 current holds with 1 total copy.
Show Only Available Copies
Location | Call Number / Copy Notes | Barcode | Shelving Location | Status | Due Date |
---|---|---|---|---|---|
Kirtland Community College Library | PS 589 .M63 2015 | 30775305493083 | General Collection | Available | - |
Modernist Women Poets : An Anthology
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Table of Contents
Modernist Women Poets : An Anthology
Section | Section Description | Page Number |
---|---|---|
Preface C.D. Wright | p. 1 | |
Lola Ridge | ||
from The Ghetto | p. 9 | |
Flotsam | p. 24 | |
Death Ray | p. 27 | |
The Fifth-Floor Window | p. 30 | |
Appulse | p. 32 | |
Gertrude Stein | ||
from Tender Buttons: Objects | p. 33 | |
from Tender Buttons: Roastbeef | p. 50 | |
Susie Asado | p. 55 | |
Yet Dish | p. 56 | |
Idem The Same: A Valentine To Sherwood Anderson | p. 66 | |
from Lifting Belly | p. 70 | |
If I Told Him: A Completed Portrait of Picasso | p. 88 | |
from Stanzas in Meditation | p. 92 | |
Amy Lowell | ||
The Pike | p. 104 | |
Patterns | p. 105 | |
Thompson's Lunch Room-Grand Central Station | p. 109 | |
Spring Longing | p. 111 | |
Venus Transiens | p. 112 | |
Bright Sunlight | p. 113 | |
New Heavens for Old | p. 114 | |
Dissonance | p. 116 | |
Elsa Von Freytag-Loringhoven | ||
Analytical Chemistry of Progeny | p. 117 | |
A Dozen Cocktails Please | p. 118 | |
Subjoyride | p. 120 | |
Ostentatious | p. 124 | |
Ohio-Indiansummer | p. 125 | |
All's Well | p. 126 | |
Ultramundanity | p. 128 | |
Constitution | p. 132 | |
Game Legend | p. 135 | |
Florence Wheelock Ayscough and Amy Lowell | ||
from Fir-Flower Tablets | ||
Autumn River Song: On the Broad Reach | p. 137 | |
The Heaven's Gate Mountains | p. 138 | |
The Retreat of Hsieh Kung | p. 139 | |
On the Subject of Old Tai's Wine-Shop | p. 140 | |
In The Province of Lu, to the East of the Stone Gate Mountain, Taking Leave of Tu Fu | p. 141 | |
At the Edge Of Heaven, Thinking of Li Po | p. 142 | |
Adelaide Crapsey | ||
November Night | p. 143 | |
Release | p. 143 | |
Triad | p. 143 | |
Snow | p. 144 | |
Anguish | p. 144 | |
Trapped | p. 144 | |
Moon-Shadows | p. 145 | |
Languor After Pain | p. 145 | |
The Guarded Wound | p. 145 | |
Night Winds | p. 146 | |
Arbutus | p. 146 | |
"He's killed the may and he's laid her by To bear the red rose company." | p. 146 | |
Amaze | p. 147 | |
The Warning | p. 147 | |
Saying Of Il Haboul, Guardian Of The Treasure Of Solomon And Keeper Of The Prophet's Armor | p. 147 | |
Laurel in The Berkshires | p. 148 | |
Niagara-Seen on a Night in November | p. 148 | |
On Seeing Weather-Beaten Trees | p. 148 | |
Fragment | p. 149 | |
Angelina Weld Grimke | ||
Grass Fingers | p. 150 | |
Tenebris | p. 151 | |
A Mona Lisa | p. 152 | |
The Black Finger | p. 153 | |
Under The Days | p. 154 | |
Anne Spencer | ||
At the Carnival | p. 155 | |
Lines to a Nasturtium | p. 157 | |
Translation | p. 158 | |
Mina Loy | ||
Songs to Joannes | p. 159 | |
Poe | p. 176 | |
Lunar Baedeker | p. 177 | |
Der Blinde Junge | p. 179 | |
Brancusi's Golden Bird | p. 181 | |
Frances Gregg | ||
To H.D. | p. 183 | |
Hazel Hall | ||
Seams | p. 184 | |
Two Sewing | p. 185 | |
The Listening Macaws | p. 186 | |
Footfalls | p. 187 | |
Woman Death | p. 193 | |
Riddle | p. 195 | |
The Unuttered | p. 196 | |
H.D. | ||
Sea Rose | p. 197 | |
Sea Lily | p. 198 | |
Garden | p. 199 | |
Sea Violet | p. 201 | |
Orchard | p. 202 | |
Storm | p. 204 | |
Hermes of the Ways | p. 205 | |
For Bryher and Perdita | p. 207 | |
Hymen | p. 208 | |
Song | p. 218 | |
Helen | p. 219 | |
Fragment Forty | p. 220 | |
Fragment Forty-one | p. 224 | |
Fragment Sixty-eight | p. 228 | |
Lethe | p. 231 | |
Christmas 1944 | p. 232 | |
from The Walls Do Not Fall | p. 236 | |
Marianne Moore | ||
The Past Is The Present | p. 259 | |
Those Various Scalpels | p. 260 | |
The Fish | p. 262 | |
Marriage | p. 264 | |
An Octopus | p. 273 | |
The Steeple-Jack | p. 280 | |
In Distrust Of Merits | p. 283 | |
Djuna Barnes | ||
Portrait of a Lady Walking | p. 286 | |
The Walking-Mort | p. 287 | |
Seen from the 'L' | p. 288 | |
Suicide | p. 289 | |
Quarry | p. 290 | |
Dereliction | p. 291 | |
As Cried | p. 292 | |
Verse | p. 293 | |
Hildegarde Flanner | ||
Moment | p. 294 | |
Fern Song | p. 295 | |
True Western Summer | p. 296 | |
Laura Riding | ||
Named | p. 297 | |
Summons | p. 298 | |
Incarnations | p. 300 | |
So Slight | p. 301 | |
Take Hands | p. 302 | |
The Quids | p. 303 | |
The Rugged Black of Anger | p. 305 | |
The Map of Places | p. 307 | |
O Vocables of Love | p. 308 | |
Come, Words, Away | p. 309 | |
Afterword Robert Hass | p. 313 | |
Appendix | ||
Marianne Moore: Excerpts from Selected Letters and Complete Prose | p. 333 | |
H. D.: Egoist Review of Moore | p. 346 | |
Mina Loy: Feminist Manifesto | p. 350 | |
Mina Loy: Aphorisms on Futurism | p. 354 | |
Amy Lowell: Prefaces | p. 358 | |
Acknowledgments | p. 361 | |
Notes | p. 364 | |
Textual Note | p. 371 | |
Editor's Note | p. 372 |