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Photography / by London, Barbara,1936-;

Includes bibliographical references and index.

Subjects: Photography.;

© 2002., Prentice Hall,

Available copies: 1 / Total copies: 1

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Photography : the definitive visual history / by Ang, Tom.;

1825-1849: The dawn of photography -- 1850-1879: Gathering momentum -- 1880-1914: Art or science? -- 1915-1939: Forging an identity -- 1940-1959: Spirit of the time -- 1960-1979: Diversity and conflict -- 1980-1999: Challenge and change -- 2000-present: The digital age.1825-1849: The dawn of photography : In the beginning ; Capturing an image ; The first photographs ; Daguerreotype camera ; In focus: Boulevard du Temple, Louis-Jacques Daguerre ; In profile: William Henry Fox Talbot ; Facing the camera ; In profile: Hill and Adamson ; In focus: Fishergate, St Andrews, Hill and Adamson -- 1850-1879: Gathering momentum : Stretching photography ; In focus: The Great Wave, Gustave Le Gray ; Architectural archives ; Exploring the world ; Aiguilles de Charmoz, Auguste-Rosalie Bisson ; Framing the unknown ; In profile: Felice Beato ; In focus: Sumo Training, Felice Beato ; Cartes de visite ; Seeing double ; In profile: Nadar ; Reality or painterly? ; In focus: Two Ways of Life, Oscar Gustav Rejlander ; In profile: Julia Margaret Cameron ; Photographing children ; War souvenirs ; Dry plate -- 1880-1914: Art or science? : Picturing motion ; In profile: Étienne-Jules Marey ; Retina of science ; Criminal evidence ; Artistic licence ; Camera of conscience ; Little Spinner Girl in Globe Cotton Mill, Lewis Hine ; The Box Brownie ; People's photography ; Charmed lives ; Linked ideas ; In focus: Désespoir, Robert Demachy ; Auto Graflex ; In profile: Alfred Stieglitz ; In focus: The Steerage, Alfred Stieglitz ; Withdrawing from reality ; Minuet, Frank Eugene ; Women pioneers ; In profile: Edward Steichen ; Out in the cold ; Early colour photography ; In profile: Sergei Prokudin-Gorskii ; Triumphant Aviator, Léon Gimpel ; In profile: Eugène Atget ; In focus: Quai d'Anjou, Eugène Atget -- 1915-1939: Forging an identity : World at war ; In focus: Rurales, Agustín Casasola ; Temples of modernism ; In profile: Alexandr Rodchenko ; Mounting conviction ; Irrational photography ; In profile: Man Ray ; Leica 1 ; Seeing straight ; In profile: August Sander ; Walking the streets ; In focus: Meudon, André Kertész ; Small aperture, big ambition ; In profile: Ansel Adams ; In focus: Clearing Winter Storm, Ansel Adams ; Kodachrome ; The bitter years ; Vermont State Fair, Rutland, Jack Delano ; In focus: Migrant Mother, Dorothea Lange ; In profile: Walker Evans ; Flash synchronizer ; Hindenberg Explosion, Sam Shere ; Illustrated magazines ; In focus: Mainbocher Corset, Horst P. Horst -- Effortlessly gorgeous ; In profile: Manuel Álvarez Bravo ; Partisan objectivity ; Winning hearts and minds --1940-1959: Spirit of the time : Close to conflict ; In focus: Raising the Flag on Iwo Jima, Joe Rosenthal ; Flashes of light ; In profile: Henri Cartier-Bresson -- Pulse of the time ; In profile: Werner Bischof ; In focus: Kiss by the Hôtel de Ville, Robert Doisneau ; Zeiss 80mm Planar ; Subjective photography ; In profile: Josef Sudek ; Midtown Manhattan seen from Weehawken, New Jersey, Andreas Feininger ; In focus: Belgravia, London, 1951, Bill Brandt ; Theatre of the street ; Big Face, Big Buttons, New York, William Klein ; The family of man ; In focus: Hot Shot Eastbound, O. Winston Link ; Rise of fashion magazines ; Charles James gowns, Cecil Beaton ; In focus: Carmen (Homage to Munkácsi), coat by Cardin, Place François-Premier, Paris, August 1957, Richard Avedon ; Staging a portrait ; In profile: Alfred Eisenstaedt ; Nikon F -- 1960-1979: Diversity and conflict : Rolleiflex ; In profile: Eugene Smith ; Japan reconstructs ; Shomei Tomatsu ; Cult of celebrity ; Marilyn Monroe and Clark Gable, Eve Arnold ; The anti-portrait ; In focus: Human Foetus, Lennart Nilsson ; In profile: Elliott Erwitt ; In focus: Queen, Brian Duffy ; In profile: Guy Bourdin ; Muhammad Ali vs Sonny Liston, Neil Leifer ; Nikon 80-200mm f/4.5 ; Fly me to the moon ; Polaroid SX-70 ; The Vietnam War ; Trang Bang, Nick Ut ; Protest photography ; In focus: The Soiling of Old Glory, Stanley Forman ; Anti-Vietnam March, Marc Riboud ; In focus: Green Lacewing, Stephen Dalton ; Seeing the invisible ; In profile: Ernst Haas ; In focus: Puglia, Italia, Franco Fontana -- 1980-1999: Challenge and change : Controlled compositions ; In profile: Frans Lanting ; Too clever for words ; In profile: Steve McCurry ; In focus: Sharbat Gula, Steve McCurry ; Cool gaze of objectivity ; Documentary as art ; In profile: Eugene Richards ; Crisis of identity ; Public intimacy ; Mourning in Kosovo, Georges Mérillon ; In profile: Wolfgang Tillmans ; Colour in the streets ; In focus: Pavement Mirror Shop, Howrah, West Bengal, Raghubir Singh ; In profile: Raghu Rai ; Multiple exposures ; In profile: Pedro Meyer ; Landscape of emotion ; Aerial abstractions ; Sunrise over Owens Valley, California, Galen Rowell -- 2000-present: The digital age : Canon D30 ; In focus: Twin Towers, Thomas Höpker ; Recomposing truth ; In profile: Cindy Sherman ; iPhone 3GS ; Citizen journalist ; Live action ; In profile: Cristina García Rodero ; In focus: Hell from Heaven, Akintunde Akinleye ; Portraying nature ; In focus: Baby Green Sea Turtle, David Doubilet ; Oriental perspectives ; China's New Wave ; In profile: Sebastião Salgado ; In focus: Group of Zo'e, Pará, Brazil, Sebastião Salgado ; Evidence of damage ; Ice, Daniel Beltrá ; Ends of the universe ; Photography trends.Tracing the history of photography from its origins in the 1800s to the digital age, "Photography: The Definitive Visual History" is the only book of its kind to give a comprehensive account of the people, the photographs, and the technologies that have shaped the history of photography. From the first black-and-white photography to photojournalism and contemporary street photography, "Photography" celebrates the most iconic photographs and profiles 50 of the most famous photographers, with special features on Pulitzer Prize-winners and thematic timelines on portrait, war, advertising, and fashion photography.

Subjects: Photography; Photography;

© 2014., DK Publishing,

Available copies: 1 / Total copies: 1

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A short course in photography : film and darkroom : an introduction to photographic technique / by London, Barbara,1936-; Stone, Jim,1947-author.;

Includes bibliographical references and index.Machine generated contents note: 1.Camera -- Getting Started Camera and film -- Loading film into the camera -- Focusing and setting the exposure -- Exposure readout -- Exposing the film -- What will you photograph? -- Using a digital camera -- Types of Cameras -- Basic Camera Controls -- More about Camera Controls -- Inside a single-lens reflex camera -- Shutter Speed Affects light and motion -- Aperture Affects light and depth of field -- Shutter Speed and Aperture Blur vs. depth of field -- Getting the Most from Your Camera and Lens -- 2.Lens -- Lens Focal Length The basic difference between lenses -- Normal Focal Length The most like human vision -- Long Focal Length Telephoto lenses -- Short Focal Length Wide-angle lenses -- Zoom, Macro, and Fisheye Lenses -- Focus and Depth of Field -- Automatic Focus -- Depth of Field Controlling sharpness in a photograph -- More about Depth of Field How to preview it -- Perspective How a photograph shows depth --Note continued: Lens Attachments Making close-ups -- Using filters -- 3.Film -- Selecting and Using Film -- Film Speed and Grain The two go together -- Color in Photography -- Color Films -- 4.Exposure -- Normal Exposure, Underexposure, and Overexposure -- Exposure Meters What different types do -- How to calculate and adjust an exposure manually -- Overriding an Automatic Exposure Camera -- Making an Exposure of an Average Scene -- Exposing Scenes that are Lighter or Darker than Average -- Backlighting -- Exposing Scenes with High Contrast -- Low Light and Reciprocity -- Exposures in Hard-to-Meter Situations -- 5.Developing the Negative -- Processing Film Equipment and chemicals you'll need -- Mixing and Handling Chemicals -- Processing Film Step by Step Setting out materials needed -- Preparing the film -- Development -- Stop bath and fixer -- Washing and drying -- Summary of Film Processing -- How Chemicals Affect Film -- Evaluating Your Negatives --Note continued: Push Processing -- 6.Printing in a Darkroom -- Printing Equipment and materials you'll need -- Making a Contact Print Step by Step -- Processing a Print Step by Step Development -- Stop bath and fixer -- Washing and drying -- Summary of Print Processing -- Making an Enlarged Print Step by Step Setting up the en larger -- Exposing a test print -- Exposing a final print -- Evaluating Your Print for Density and Contrast -- More about Contrast How to control it in a print -- Local Controls Burning in and dodging -- Cropping -- Spotting -- Mounting a Print -- Equipment and materials you'll need -- Dry Mounting a Print Step by Step -- Bleed Mounting/Overmatting -- 7.Lighting -- Qualities of Light From direct to diffused -- Existing Light Use what's available -- The Main Light The strongest source of light -- Fill Light To lighten shadows -- Simple Portrait Lighting -- Using Artificial Light Photolamp or flash -- More about Flash How to position it --Note continued: Using Flash -- 8.Digital Photography -- Equipment and Materials You'll Need -- Pixels Make the Picture -- Digital Color Modes, gamuts, spaces, and profiles -- Channels -- Using Histograms and the Info Palette -- Setting up a Workflow Stay organized -- Photographer's Workflow Programs -- Importing an Image -- Scanning -- Getting Started Editing an Image -- Adjusting an Image Levels -- Curves -- Adjusting Part of an Image Selections -- More Techniques Layers -- Filters -- Retouching -- Sharpening -- Compositing -- Editing a Digital Photograph Step by Step -- Soft Proofing -- Printing -- Storage, Archiving, Retrieval -- Ethics and Digital Imaging -- 9.Seeing Like a Camera -- What's in the Picture The edges or frame -- The background -- Focus Which parts are sharp -- Time and Motion in a Photograph -- Depth in a Picture Three dimensions into two -- Chaos into order -- Photographing for Meaning -- Portraits Informal: Finding them -- Formal: Setting them up --Note continued: Photographing the Landscape -- Photographing the Cityscape -- Photographing Inside -- Responding to Photographs -- 10.History of Photography -- Daguerreotype "Designs on silver bright" -- Calotype Pictures on paper -- Collodion Wet-Plate Sharp and reproducible -- Gelatin Emulsion/Roll-Film Base Photography for everyone -- Early Portraits -- Early Travel Photography -- Early Images of War -- Time and Motion in Early Photographs -- Color Photography -- The Photograph as Document -- Photography and Social Change -- Photojournalism -- Photography as Art in the 19th Century -- Pictorial Photography and the Photo-Secession -- The Direct Image in Art -- The Quest for a New Vision -- Photography as Art in the 1950s and 1960s -- Photography as Art in the 1970s and 1980s -- Digital Photography.

Subjects: Photography.;

Available copies: 1 / Total copies: 1

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The book of photography : [the history, the technique, the art, the future] / by Hoy, Anne H.;

Includes bibliographical references (p. 446-447) and index.1. Architecture & still life -- Sidebar. Photogenic drawings : foundations of photography -- 2. Portraiture -- Sidebar. Daguerreotypes : the birth of mass photography -- 3. Exploration -- Sidebar. Stereo photography : a vision of depth -- 4. Photojournalism -- Sidebar. Flash photography : beyond natural light -- 5. Pictorialism & earlier art -- Sidebar. Autochromes : painting with light -- 6. Early 20th-century art -- Sidebar. Kodachrome : vibrant, lasting color -- 7. Art photography since World War II -- Sidebar. The Polaroid system : images while you wait -- 8. Fashion & advertising -- Sidebar. Digital photography : a revolution in imagery -- 9. Photography & science -- Sidebar. X-ray imaging : seeing beneath the surface -- Timeline.In this comprehensive and global volume hundreds of entries define and cover every aspect of photography. The newest inventions, the ingenious past, the ever-changing technical and aesthetic developments, and the personal stories and styles of photographers worldwide. Timelines summarize and sidebars elaborate on major milestones and tell the human stories behind them. Beautiful photographs on every subject from around the globe are meant to both illustrate the fine points and inspire the reader. Photography was invented in 1839 and it went on to change the world. Every field--medicine, astronomy, journalism, art, geography, and history--has been revolutionized by photography. Photography is used to explore, inform, and convince. It is global and it is personal: We treasure photographs of people we love and we scrutinize pictures of ourselves with posterity in mind. The Book of Photography, like photography itself, is for everyone. This is the basic book for those who want to increase their understanding and appreciation of photography or for those with just the occasional photographic question. Organized by subject, this is a comprehensive, fascinating, and easy-to-use photography reference--a book you'll dip into again and again.

Subjects: Photography.;

© c2005., National Geographic,

Available copies: 1 / Total copies: 1

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The eye of war : words and photographs from the front line / by Knightley, Phillip.; Jackson, Sarah,1951-; Merullo, Annabel.;

Includes bibliographical references (p. 284-285) and index.The camera goes to war 1855-65. Crimean war, Indian mutiny, third opium war, American civil war -- Imperial expansion 1865-1900. Colonial wars in Africa, frontier wars, Spanish-American War -- Rehearsals for Armageddon 1900-14. Boer War, Russo-Japanese War, Mexican Revolution -- First World War 1914-18 -- Short intermission 1918-39. Russian Revolution, Italy's invasion of Abyssinia, Spanish Civil War, Japan's invasion of China -- Second World War 1939-45 -- Independence Wars 1945-1994. Korea, Indochina, Vietnam, Cambodia, Bangladesh, Latin America, Falklands, Africa -- Conflicts of faith 1948-2003. Israel's independence war, Algeria, Suez, Six-day War, Yom Kippur War, Lebanon, Chechnya, Afghanistan, Iran-Iraq War, first Gulf War, Yugoslavia, Intifada, Al Qaeda, second Gulf War.

Subjects: War photography.;

© 2003., Smithsonian Books,

Available copies: 1 / Total copies: 1

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Retouching your photographs / by Miller, Jan Way.; Smith, Scott.;

Subjects: Photography;

© 1986., Amphoto,

Available copies: 1 / Total copies: 1

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Exploring color photography : from film to pixels / by Hirsch, Robert,1949-; Erf, Greg,contributor.;

Includes bibliographical references and index.

Subjects: Color photography.;

Available copies: 1 / Total copies: 1

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Pictures that sell : a guide to successful stock photography / by Daffurn, Ray.; Hicks, Roger(Roger William);

Subjects: Freelance photography.; Commercial photography.;

© c1985., Fotobank Books Ltd.,

Available copies: 1 / Total copies: 1

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Studying photography : a survival guide / by Holleley, Douglas.;

Includes bibliographical references (p. 106-107) and index.This book lays bare the powerful value systems that are embedded within higher education institutions and explains them with wit and clarity. Issues such as the hidden curriculum, analyzing images, progression, writing an artist statement, assessment, plagiarism, copyright and ultimately getting a job at the end of the degree are all explained in clear, easy to understand language.

Subjects: Photography; Image processing.; Photography; Photography, Artistic.;

© 2010., Clarellen,

Available copies: 1 / Total copies: 1

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The art of the photograph : essential habits for stronger compositions / by Wolfe, Art.; Sheppard, Rob,author.;

Includes bibliographical references and index."Featuring more than 200 of master photographer Art Wolfe's stunning images, The Art of the Photograph helps amateur photographers of all levels break bad habits and shatter common yet incorrect assumptions that hold many photographers back and, transforming your photography in the process. This is Wolfe's ultimate master class, sharing the most important insights and techniques learned in four decades of award-winning photography. Along with co-author Rob Sheppard, Wolfe challenges us to stop focusing on subjects we feel we should photograph and instead, to "see like a camera sees," seek out a personal point of view, and construct stunning, meaningful images. You'll also learn how to: Reexamine prejudices that define (and limit) what you photograph ; See beyond the subject to let light and shadow lead you to the right image ; Find inspiration, including the story behind Wolfe's own photographic journey ; Use formal art principles to build more compelling images ; Choose the right camera and lens for the image you see in your mind's eye ; Recognize the 10 deadly sins of composition--and how to avoid them ; and even get a behind-the-lens look at Wolfe's equipment and workflow."--Publisher's description.

Subjects: Composition (Photography);

Available copies: 1 / Total copies: 1

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