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Seven days in May / by Lawson, John Howard,1894-1977,film producer.; Frankenheimer, John,1930-2002,film director.; Serling, Rod,1924-1975,screenwriter.; Lancaster, Burt,1913-1994,actor.; Douglas, Kirk,1916-actor.; March, Fredric,1897-1975,actor.; Gardner, Ava,1922-1990,actor.; Motion picture adaptation of (work):Knebel, Fletcher.Seven days in May.; Motion picture adaptation of (work):Bailey, Charles Waldo,II,1929-2012.Seven days in May.; Seven Arts Productions,presenter.; Joel Productions,presenter.; Warner Home Video (Firm),publisher.;
DVD, widescreen (16x9, 1.85:1); Dolby digital mono.Fredric March, Burt Lancaster, Kirk Douglas, Ava Gardner, Edmond O'brien, Martin Balsam, George MacReady, Hugh Marlowe.Rating: Not rated.Freedom hangs in the balance when a colonel discovers a U.S. military plot to take over the nation.
Subjects: Thrillers (Motion pictures); Political films.; Coups d'état; Conspiracies; Political crimes and offenses; Knebel, Fletcher; Bailey, Charles Waldo, II, 1929-2012;
Available copies: 1 / Total copies: 1
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West Side story [videorecording] / by Wise, Robert,1914-2005.; Lehman, Ernest,1915-2005.; Robbins, Jerome.; Bernstein, Leonard,1918-1990.; Sondheim, Stephen.; Wood, Natalie.; Beymer, Richard,1939-; Tamblyn, Russ.; Moreno, Rita.; Chakiris, George.; Leven, Boris.; Griffith, Robert E.; Prince, Harold,1928-; Laurents, Arthur.; Mirisch Pictures (Firm); Seven Arts Productions.; MGM Home Entertainment Inc.;
DVD, region 1NTSC; full screen (1.33:1); Dolby digital 5.1 surround.Natalie Wood, Richard Beymer, Russ Tamblyn, Rita Moreno, George Chakiris.Director of photography, Daniel L. Fapp ; editor, Thomas Stanford ; music, Leonard Bernstein; lyrics by Stephen Sondheim ; costume designer, Irene Sharaff ; production designer, Boris Leven ; choreographer, Jerome Robbins.Not rated by the MPAA.This musical sets the tragedy of Romeo and Juliet against a backdrop of the rivalry of two street gangs, the Sharks and the Jets, in New York of the 1950s. A young woman who is sister to the Sharks leader has her first taste of love with the former head of the Jets.Academy Awards, USA; 1962, Oscar - Best Actor in a Supporting Role (George Chakiris); Best Actress in a Supporting Role (Rita Moreno); Best Art Direction-Set Decoration, Color (Boris Leven, Victor A. Gangelin); Best Cinematography, Color (Daniel L. Fapp); Best Costume Design, Color (Irene Sharaff); Best Director (Robert Wise, Jerome Robbins); Best Film Editing (Thomas Stanford); Best Music, Scoring of a Musical Picture (Saul Chaplin, Johnny Green, Sid Ramin, Irwin Kostal); Best Picture (Robert Wise); Best Sound (Fred Hynes, Gordon Sawyer)
Subjects: Feature films.; Musical films.; Film adaptations.; Video recordings for the hearing impaired.; Gangs; First loves; Video recordings for the hearing impaired.;
© c2003., MGM Home Entertainment,
Available copies: 1 / Total copies: 1
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Snow White and the Seven Dwarfs [videorecording] / by Hand, David,1900-1986.drt; Sears, Ted.adp; Creedon, Richard.adp; Englander, Otto.adp; Rickard, Dick.adp; Hurd, Earl,d. 1940.adp; De Maris, Merrill.adp; Blank, Dorothy Ann.adp; Smith, Webb.adp; Disney, Walt,1901-1966.pro; Caselotti, Adriana,1916-1997.act; Atwell, Roy.act; Collins, Eddie,1883-1940.act; Colvig, Pinto.act; Gilbert, Billy,1893-1971.act; Harlan, Otis,1865-1940.act; La Verne, Lucille,1872-1945.act; Mattraw, Scotty.act; Stockwell, Harry.act; Churchill, Frank,1901-1942.cmp; Harline, Leigh.cmp; Smith, Paul J.(Paul Joseph),1906-1985.cmp; Grimm, Wilhelm,1786-1859.aut; Grimm, Jacob,1785-1863.aut; RKO Radio Pictures, inc.; Walt Disney Productions.; Walt Disney Studios Home Entertainment (Firm); Buena Vista Home Entertainment (Firm);
DVD; region 1, NTSC; full screen (1.33:1) presentation; Dolby Digital 5.1 Disney Enhanced Home Theater Mix (DEHT).Adriana Caselotti, Roy Atwell, Eddie Collins, Pinto Colvig, Billy Gilbert, Otis Harlan, Lucille La Verne, Scotty Mattraw, Harry Stockwell.Sequence directors, Perce Pearce, William Cottrell, Larry Morey, Wilfred Jackson, Ben Sharpsteen ; supervising animators, Hamilton Luske, Fred Moore, Vladimir Tytla, Norman Ferguson ; Music, Frank Churchill, Leigh Harline, Paul Smith ; character designers, Albert Hurter, Joe Grant ; music, Frank Churchill, Leigh Harline, Paul Smith ; art directors, Charles Philippi, Tom Codrick, Hugh Hennesy, Gustaf Tenggren, Terrell Stapp, Kenneth Anderson, McLaren Stewart, Kendall O'Connor, Harold Miles, Hazel Sewell.MPAA rating: G.The beautiful and kindhearted princess Snow White charms every creature in the kingdom except one, the Queen, her jealous stepmother. When the Magic Mirror proclaims Snow White as the fairest one of all, she must flee into the forest. There, she befriends the lovable seven dwarfs, Doc, Sneezy, Grumpy, Happy, Bashful, Sleepy and Dopey. The Queen finds Snow White and tricks her with an enchanted apple. Only the magic of true love's kiss can save her.[disc 1]. Feature -- [disc 2]. Bonus material.
Subjects: Fantasy films.; Musical films.; Children's films.; Animated films.; Fiction films.; Feature films.; Video recordings for the hearing impaired.; Princesses; Dwarfs; Forest animals; Forest people; Queens; Poisoning; Enanos; Princesas;
© 2009., Walt Disney Studios Home Entertainment ; Distributed by Buena Vista Home Entertainment,
Available copies: 1 / Total copies: 1
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Downton Abbey. by Fellowes, Julian,creator,screenwriter,television producer.; Croucher, Chris,1981-television producer.; Neame, Gareth,television producer.; Marchant, Nigel,television producer.; Trubridge, Liz,television producer.; Eaton, Rebecca,1947-television producer.; Simpson, Susanne,television producer.; Bonneville, Hugh,actor.; Carmichael, Laura,1986-actor.; Carter, Jim,1948-actor.; Cassidy, Raquel,1968-actor.; Coyle, Brendan,actor.; Dockery, Michelle,1981-actor.; Doyle, Kevin,1961-actor.; Fox, Michael,actor.; Froggatt, Joanne,1980-actor.; Goode, Matthew,1978-actor.; James, Lily,1989-actor.; James-Collier, Rob,actor.; Leech, Allen,actor.; Logan, Phyllis,actor.; McGovern, Elizabeth,1961-actor.; McShera, Sophie,actor.; Nicol, Lesley,1953-actor.; Robb, David,1947-actor.; Smith, Maggie,1934-actor.; Wilton, Penelope,1946-actor.; Valentine, Chantelle,art director.; Wilson, Linda,set designer.; Robbins, Anna Mary Scott,costume designer.; Willoughby, Nigel,cinematographer.; Frake, Graham,cinematographer.; McDonough, Michael,1967-cinematographer.; Woods, Donal,production designer.; Morrow, Al,film editor.; Garrick, Paul,film editor.; Lunn, John,1956-composer (expression); Carnival Films (Great Britain),production company.; ITV (Firm),broadcaster.; Public Broadcasting Service (U.S.),broadcaster.; PBS Distribution (Firm),film distributor.;
DVD, NTSC region 1, widescreen presentation; stereo.Title from disc surface.Hugh Bonneville, Laura Carmichael, Jim Carter, Raquel Cassidy, Brendan Coyle, Michelle Dockery, Kevin Doyle, Michael Fox, Joanne Froggatt, Matthew Goode, Lily James, Robert James-Collier, Allen Leech, Phyllis Logan, Elizabeth McGovern, Sophie McShera, Lesley Nicol, David Robb, Maggie Smith, Ed Speleers, Penelope Wilton.Art director, Chantelle Valentine ; set decorator, Linda Wilson ; costume designer, Anna Mary Scott Robbins ; director of photography, Nigel Willoughby, Graham Frake, Michael McDonough ; production designer, Donal Woods ; editor, Al Morrow, Paul Garrick ; music, John Lunn.Not rated.The year is 1925. Momentous changes threaten the great house, its owners, and its servants, while past scandals continue to loom. Return to the sumptuous setting of Downton Abbey for the sixth and final season to discover what will finally become of the Crawley family, and the servants who work for them, as they face new challenges and begin forging different paths in a rapidly changing world. Secrets and rifts threaten the unity of the family, while those below stairs continue to navigate social changes which put their futures in jeopardy.Disc 1. Part one ; Part two ; Part three -- Disc 2. Part four ; Part five ; Part six ; Part seven -- Disc 3. Part eight ; Part nine (The Finale).
Subjects: Historical television programs.; Television melodramas.; Television series.; Fiction television programs.; Video recordings for the hearing impaired.; Country life; Families; Aristocracy (Social class); Household employees; Social classes; Man-woman relationships;
Available copies: 1 / Total copies: 1
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Graphic Artists Guild handbook : pricing & ethical guidelines. by Graphic Artists Guild (U.S.);
Includes bibliographical references (pages 320-335) and index.Presents a guide to conducting business in the graphic arts industry, covering artwork pricing, standard contract terms, commissions, recent legislative developments, computer graphics, web design, licensing, and royalties.
Subjects: Graphic arts; Graphic artists; Graphic artists;
Available copies: 1 / Total copies: 1
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Downton Abbey. by Fellowes, Julian,creator,screenwriter,television producer.; Croucher, Chris,1981-television producer.; Neame, Gareth,television producer.; Marchant, Nigel,television producer.; Trubridge, Liz,television producer.; Eaton, Rebecca,1947-television producer.; Morshead, Catherine,television director.; Spiro, Minkie,television director.; John, Philip(Philip R.),television director.; Engler, Michael,television director.; Bonneville, Hugh,actor.; Carmichael, Laura,1986-actor.; Carter, Jim,1948-actor.; Cassidy, Raquel,1968-actor.; Coyle, Brendan,actor.; Cullen, Tom,1985-actor.; Dockery, Michelle,1981-actor.; Doyle, Kevin,1961-actor.; Froggatt, Joanne,1980-actor.; James, Lily,1989-actor.; James-Collier, Rob,actor.; Leech, Allen,actor.; Logan, Phyllis,actor.; McGovern, Elizabeth,1961-actor.; McShera, Sophie,actor.; Nicol, Lesley,1953-actor.; Ovenden, Julian,actor.; Robb, David,1947-actor.; Smith, Maggie,1934-actor.; Speleers, Ed,1988-actor.; Wilton, Penelope,1946-actor.; Grant, Richard E.,1957-actor.; Valentine, Chantelle,art director.; Wilson, Linda,set designer.; Robbins, Anna Mary Scott,costume designer.; Willoughby, Nigel,director of photography.; Frake, Graham,director of photography.; McDonough, Michael,1967-director of photography.; Woods, Donal,production designer.; Morrow, Al,editor of moving image work.; Garrick, Paul,editor of moving image work.; Lunn, John,1956-composer (expression); Carnival Films (Great Britain),production company.; ITV (Firm),broadcaster.; Public Broadcasting Service (U.S.),broadcaster.; PBS Distribution (Firm),film distributor.;
DVD, NTSC region 1, widescreen presentation; stereo.Title from disc surface.Hugh Bonneville, Laura Carmichael, Jim Carter, Raquel Cassidy, Brendan Coyle, Tom Cullen, Michelle Dockery, Kevin Doyle, Joanne Froggatt, Lily James, Robert James-Collier, Allen Leech, Phyllis Logan, Elizabeth McGovern, Sophie McShera, Lesley Nicol, Julian Ovenden, David Robb, Maggie Smith, Ed Speleers, Penelope Wilton, Richard E. Grant.Art director, Chantelle Valentine ; set decorator, Linda Wilson ; costume designer, Anna Mary Scott Robbins ; director of photography, Nigel Willoughby, Graham Frake, Michael McDonough ; production designer, Donal Woods ; editor, Al Morrow, Paul Garrick ; music, John Lunn.As Season Five begins in 1924, the radio is the latest miracle, a new Labour government heralds changes through the land, and Downton's traditional ways are besieged on all fronts. Robert, Mary, and Branson must navigate these shifting sands together to ensure the future of the estate for generations to come. As Branson finds himself playing a more crucial role at Downton than ever before, he can't help but question his place in the world. Mary is finally coming to accept that she would like to marry again, but will she ever be able to find the same happiness that she had with Matthew? And with no news of her beloved Gregson, Edith suffers under the burden of her terrible secret. Downstairs, all of the servants must consider what effect social changes may have on their working lives. No one, Mr. Carson to Daisy, will be left unaffected. The Crawley family and the servants who work for them remain inseparably intertwined as they rise to meet the new challenges of the day.Not rated.
Subjects: Historical television programs.; Historical television programs; Television melodramas.; Television melodramas; Television series.; Television series; Fiction television programs.; Television programs; Video recordings for the hearing impaired.; Country life; Families; Aristocracy (Social class); Household employees; Social classes; Man-woman relationships;
Available copies: 1 / Total copies: 1
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Gilligan's Island. [videorecording] / by Schwartz, Sherwood.; Arnold, Jack,1916-1992.; Black, Walter.; Amateau, Rodney,1923-2003.; Denver, Bob.; Hale, Alan,1918-1990.; Backus, Jim.; Schafer, Natalie,1900-1991.; Tina Louise,1934-; Johnson, Russell,1924-; Wells, Dawn,1938-; Rawlings, Richard L.,1916-1992.; Bert, Malcolm.; Senter, John H.; Smith, Craig.; Capacchione, Frank,1911-1992.; Comstock, Frank.; Delmar, Frank,1909-2003.; CBS Television Network.; Gladasya Productions.; United Artists Television (Firm); Warner Home Video (Firm);
DVD, Region 1, full screen (1.33:1) presentation; Dolby Digital mono.Bob Denver, Alan Hale, Jr. Jim Backus, Natalie Schafer, Tina Louise, Russell Johnson, Dawn Wells.Director of photography, Richard L. Rawlings ; art directors, Malcolm C. Bert, John H. Senter, Craig Smith ; editors, Frank Capacchione ... [et al.] ; music, Frank Comstock ... [et al.] ; wardrobe, Frank Delmar.Originally broadcast by CBS 1964-1965.Not rated.The S.S. Minnow set sail on a three-hour tour. Along for the ride are the ship's captain, his first mate, an actress, a professor, a farm girl, a millionaire and his wife. They all become stranded on an uncharted South Pacific Island. Seven random people thrown together by fate, united in a search for a way off the island and back home again.
Subjects: Television comedies; Video recordings for the hearing impaired.; Ship captains; Castaways;
© [2004], Warner Home Video,
Available copies: 3 / Total copies: 3
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Your assignment photography : an interactive resource for students and teachers of photography / by Holleley, Douglas.;
Includes bibliographical references (p. 145-149).Invitation to participate -- Foreword -- Introduction -- A short note on assignments -- Master assignment : show the world through your eyes -- 1. Exploring the medium : assignments based on technical or process issues -- Introduction -- Employing first principles, experiment with the physical and formal qualities of your medium -- The analog photogram -- The digital photogram--direct scanning -- The pinhole camera -- Process based approaches -- Non-silver processes --2. The eye : assignments based on perceptual and/or observational issues -- Introduction -- pt. 1. Light and color -- Make the trace of the patterns of light that constitute a photograph, the subject of your image -- When photographing, consider carefully the nature and quality of the light you choose -- 1) Observing light -- 2) When creating a lighting set-up -- Create a simple setup to enlarge the size of the light source -- Refine your observational skills with respect to the interaction of light and color -- Describing the color of light -- A series of practical exercises -- Juxtaposing color -- Photographing with different light sources -- Photographing with mixed light sources -- Observing the direction of the light source -- Make an object you know to be one color look as though it is a different color -- Mix warm colors with cool colors -- Juggle many balls -- pt. 2. Time and space -- Make time itself the subject of the photograph -- Specific assignments on time -- Show and/or compare the same subject over a period of time -- Juxtapose non-visual accounts of the past with contemporaneous images -- Create an artifact that when exposed to the elements will change over the passage of time -- Photograph an event, either in series, or with an extremely long exposure, so that the image literally takes a long time to make -- Use a slow shutter speed to introduce blur--not to show movement as is often suggested--but instead to suggest a moment extended -- Use various post-production methods such as handcoloring, toning, drawing into the photograph etc. to engage the viewer for a longer period of time -- Find a point of stillness and silence in the world of motion and noise -- The digital moment -- Set up a system where time is the criteria for making the exposure -- Extend a sequence in time and space, and/or, extend an image in time and space -- Experiment with different vantage points -- Eliminate the central point of interest -- Create or eliminate space -- When photographing, visualize the field of view as a box rather than a plane -- Related assignments -- Find words and letters -- Give chance a chance -- Exercise by Wynn Bullock --3. The "I" : assignments on developing a sense of self -- Introduction -- pt. 1. The self -- Make two series of self-portraits, one where you are literally in the image, one where you are not -- Rationale : part one -- Rationale : part two -- Simile -- Metaphor -- Metonymy -- Synecdoche -- The equivalent -- Some ideas for metaphorical self portraits -- Self portrait rider 1 : the mask -- Make two sets of images, one about a mask that conceals, one about a mask that reveals -- Self portrait rider 2 : the faȧde -- Further assignments -- Multiple identities -- Visualizing the past : depict a significant memory -- Memento mori -- Other personal assignments more briefly expressed -- Photograph the seven deadly sins -- Photograph virtue -- Keep a journal assiduously -- Instead of attempting to define identity, adopt or create a role for your self instead -- pt. 2. The self and the world -- Find your place in the world and communicate through images, what it is about this spot that makes it yours and yours alone -- Finding your place : a case study -- While photographing, participate with, rather than do something to, the world -- Exercise by Minor White -- Learn to center yourself and see by shutting down the incessant internal chatter that passes for everyday consciousness -- Prove you are awake --4. The mind : assignments based on developing cognitive and reasoning skills -- Introduction -- pt. 1. On history and research -- Make yourself aware of the history of the medium and use the results of this research in your work -- Rationale -- 1) Knowledge of the history of photography -- 2) Research as an on-going process -- Process : amplified reductionism -- Take from the whole, a part -- Make this part, a new whole -- Sample assignment of amplified reductionism -- Examine the practices and procedures employed by art museums and conceive a visual investigation based on an aspect of this research -- Related assignment -- Make a wonder cabinet -- pt. 2. On evidence -- Consider the nature and uses of photography in the construction of evidence -- Take images made as evidence for one world-view, function as evidence for a different perspective -- Accept the malleability of meaning inherent in the photograph (especially the historical photograph) and use it to create your vision of the past -- Create a digital conspiracy -- Create a fictional event and then make an (un)real document -- Create a performance to be photographed with the intention that the finished product be the image of the event as much if not more than the performance itself -- Create a narrative tableaux -- Construct a new reality by combining material from a number of separate images into a new single image -- Create body types, both idealized and abnormal -- Create a new landscape -- pt. 3. On words and images -- Devise a means to combine Words and Images in such a way that each equally participates in the generation of meaning -- Find or create a text and make images to amplify its meaning -- Photograph a word or section of text so that its meaning is altered by its new appearance -- Combine images in such a way as to use them as pictographic devices to tell a story. Create a visual alphabet. For precedents think of Native American smoke signals and the use of semaphore signals by ships at sea -- Find fragments of text in the real world whose meaning has been altered by neglect and/or the weather, or by framing the photograph to create new contexts and meanings -- Look up the meaning of the word palimpsest and employ the idea of over-writing to create new (or multiple) levels of meaning -- In PhotoShop, or in any program that permits, inter-weave words and images to create new (or multiple) levels of meaning -- Play with new relationships by writing down words (using various type styles and sizes) on pieces of paper and place them randomly on or near images. Observe how the meaning of both the word and the image changes --Afterword : integrative strategies -- Arrange your images so they exhibit the quality of thoughtful authorship -- Bibliography and further reading -- Acknowledgements -- Notes.
Subjects: Photography; Photography, Artistic; Photography.; Photography, Artistic.;
© c2009., Clarellen,
Available copies: 1 / Total copies: 1
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