The American song book. by Furia, Philip,1943-; Patterson, Laurie,author.;
Includes bibliographical references.Introduction -- Tin Pan Alley -- Charles K. Harris. After the ball -- Ragtime. Hello, ma baby ; Bill Bailey, won't you please come home? -- Bob Cole and F. Rosamond and James Weldon Johnson. Under the bamboo tree -- George M. Cohan. Give my regards to Broadway ; The Yankee Doodle boy ; You're a grand old flag -- Shelton Brooks. Some of these days -- Irving Berlin. Alexander's ragtime band -- The dance craze. Everybody's doin' it now -- Ernie Burnett. My melancholy baby -- Joseph McCarthy and James Monaco. You made me love you -- W.C. Handy. St. Louis blues -- Jerome Kern. They didn't believe me -- ASCAP -- Irving Berlin on Broadway. Play a simple melody ; I love a piano -- Spencer Williams. I ain't got nobody -- George M. Cohan goes to war. Over there -- The Princess shows -- P.G. Wodehouse. Till the clouds roll by -- Henry Creamer and Turner Layton. After you've gone -- Joseph McCarthy and Harry Carroll. I'm always chasing rainbows -- Private Irving Berlin. Oh, how I hate to get up in the morning -- The Ziegfeld Follies. A pretty girl is like a melody -- George Gershwin. Swanee -- Otto Harbach. The love nest -- Buddy DeSylva. Avalon ; Look for the silver lining -- Noble Sissle and Eubie Blake. I'm just wild about Harry -- Irving Berlin and the Music Box Theater. Say it with music ; All by myself -- Gus Kahn. Ain't we got fun -- Walter Donaldson. Carolina in the morning -- Fred Fisher. Chicago -- Ira Gershwin. I'll build a stairway to paradise.The American Song Book, Volume I: The Tin Pan Alley Era is the first in a projected five-volume series of books that will reprint original sheet music, including covers, of songs that constitute the enduring standards of Irving Berlin, Jerome Kern, the Gershwins, and other lyricists and composers of what has been called the "Golden Age" of American popular music. These songs have done what popular songs are not supposed to do-stayed popular. They have been reinterpreted year after year, generation after generation, by jazz artists such as Charlie Parker and Art Tatum, Ella Fitzgerald and Louis Armstrong. In the 1950s, Frank Sinatra began recording albums of these standards and was soon followed by such singers as Tony Bennet, Doris Day, Willie Nelson, and Linda Ronstadt. In more recent years, these songs have been reinterpreted by Rod Stewart, Harry Connick, Jr., Carly Simon, Lady GaGa, K.D. Laing, Paul McCartney, and, most recently, Bob Dylan. As such, these songs constitute the closest thing America has to a repertory of enduring classical music. In addition to reprinting the sheet music for these classic songs, authors Philip Furia and Laurie Patterson place these songs in historical context with essays about the sheet-music publishing industry known as Tin Pan Alley, the emergence of American musical comedy on Broadway, and the "talkie" revolution that made possible the Hollywood musical. The authors also provide biographical sketches of songwriters, performers, and impresarios such as Florenz Ziegfeld. In addition, they analyze the lyrical and musical artistry of each song and relate anecdotes, sometimes amusing, sometimes poignant, about how the songs were created. The American Songbook is a book that can be read for enjoyment on its own or be propped on the piano to be played and sung.
Subjects: Popular music.; Popular music; Popular music;
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