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Impressionism  Cover Image Book Book

Impressionism

Grimme, Karin H. (Author). Wolf, Norbert, 1949- (editor.). Scuffil, Michael, (translator.).

Summary: "Discover how scenes of daily life and delicate dabs of color shocked the art world establishment. In this introduction to Impressionism, we explore the artists, subjects, and techniques that first brought the easel out of the studio and shifted artistic attention from history, religion, or portraiture to the evanescent ebb and flow of modern life. As we tour the theaters, bars, and parks of Paris and beyond, we take in the movement's radical innovations in style and subject, from the principle of plein air painting to the rapid, broken brushwork that allowed the Impressionists to emphasize spontaneity, movement, and the changing qualities of light. We take a close look at their unusual new perspectives and their fresh palette of pure, unblended colors, including many vivid shades that brought a whole new level of chromatic intensity to the canvas. Along the way, we recognized Impressionism's established greats, such as Edgar Degas, Claude Monet, Berthe Morisot, and Camille Pissarro, as well as many associated artists worthy of closer attention, including Marie Bracquemond, Medardo Rosso, and Fritz von Udhe." --

Record details

  • ISBN: 9783836536974
  • ISBN: 3836536978
  • Physical Description: print
    95 pages : illustrations (some color), portraits ; 27 cm.
  • Edition: English edition.
  • Publisher: Köln : Taschen, [2017]

Content descriptions

General Note:
Original edition ©2007.
Formatted Contents Note: Pictures created from light and colour -- Frédéric Bazille -- Marie Bracquemond -- Gustave Caillebotte -- Mary Cassatt -- Edgar Degas -- Vincent van Gogh -- Armand Guillaumin -- Wassily Kandinsky -- Max Liebermann -- Claude Monet -- Berthe Morisot -- Giuseppe de Nittis -- Camille Pissarro -- Pierre-Auguste Renoir -- Medardo Rosso -- John Singer Sargent -- Giovanni Battista Segantini -- Georges Seurat -- Walter Richard Sickert -- Paul Signac -- Alfred Sisley -- Max Slevogt -- Fritz von Uhde -- Federico Zandomeneghi.
Language Note:
Translated from the German.
Subject: Impressionism (Art)
Genre: Art criticism.

Available copies

  • 1 of 1 copy available at Kirtland Community College.

Holds

  • 0 current holds with 1 total copy.
Show Only Available Copies
Location Call Number / Copy Notes Barcode Shelving Location Status Due Date
Kirtland Community College Library ND 547.5 .I4 G75 2017 30775305546724 General Collection Available -

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049 . ‡aET8A ‡c1
1001 . ‡aGrimme, Karin H.
24010. ‡aImpressionismus. ‡lEnglish
24510. ‡aImpressionism / ‡cKarin H. Grimme ; Norbert Wolf (ed.) ; translation, Michael Scuffil.
250 . ‡aEnglish edition.
250 . ‡a[Second edition].
264 1. ‡aKöln : ‡bTaschen, ‡c[2017]
300 . ‡a95 pages : ‡billustrations (some color), portraits ; ‡c27 cm.
336 . ‡atext ‡btxt ‡2rdacontent
337 . ‡aunmediated ‡bn ‡2rdamedia
338 . ‡avolume ‡bnc ‡2rdacarrier
4901 . ‡aBasic art series 2.0
500 . ‡aOriginal edition ©2007.
5050 . ‡aPictures created from light and colour -- Frédéric Bazille -- Marie Bracquemond -- Gustave Caillebotte -- Mary Cassatt -- Edgar Degas -- Vincent van Gogh -- Armand Guillaumin -- Wassily Kandinsky -- Max Liebermann -- Claude Monet -- Berthe Morisot -- Giuseppe de Nittis -- Camille Pissarro -- Pierre-Auguste Renoir -- Medardo Rosso -- John Singer Sargent -- Giovanni Battista Segantini -- Georges Seurat -- Walter Richard Sickert -- Paul Signac -- Alfred Sisley -- Max Slevogt -- Fritz von Uhde -- Federico Zandomeneghi.
520 . ‡a"Discover how scenes of daily life and delicate dabs of color shocked the art world establishment. In this introduction to Impressionism, we explore the artists, subjects, and techniques that first brought the easel out of the studio and shifted artistic attention from history, religion, or portraiture to the evanescent ebb and flow of modern life. As we tour the theaters, bars, and parks of Paris and beyond, we take in the movement's radical innovations in style and subject, from the principle of plein air painting to the rapid, broken brushwork that allowed the Impressionists to emphasize spontaneity, movement, and the changing qualities of light. We take a close look at their unusual new perspectives and their fresh palette of pure, unblended colors, including many vivid shades that brought a whole new level of chromatic intensity to the canvas. Along the way, we recognized Impressionism's established greats, such as Edgar Degas, Claude Monet, Berthe Morisot, and Camille Pissarro, as well as many associated artists worthy of closer attention, including Marie Bracquemond, Medardo Rosso, and Fritz von Udhe." -- ‡cProvided by publisher.
546 . ‡aTranslated from the German.
650 0. ‡aImpressionism (Art)
655 7. ‡aArt criticism. ‡2lcgft
7001 . ‡aWolf, Norbert, ‡d1949- ‡eeditor.
7001 . ‡aScuffil, Michael, ‡etranslator.
830 0. ‡aBasic art series 2.0.
938 . ‡aBrodart ‡bBROD ‡n118936859
938 . ‡aYBP Library Services ‡bYANK ‡n13244032
938 . ‡aBaker and Taylor ‡bBTCP ‡nBK0020055412
994 . ‡aC0 ‡bET8
905 . ‡u150792
901 . ‡aocn988004973 ‡bOCoLC ‡c48471 ‡tbiblio ‡soclc
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