- 1 of 1 copy available at Kirtland Community College.
0 current holds with 1 total copy.
|Location||Call Number / Copy Notes||Barcode||Shelving Location||Status||Due Date|
|Kirtland Community College Library||N 6537 .J83 R37 2010||30775305530264||General Collection||Available||-|
- ISBN: 9780300162769
- ISBN: 0300162766
- ISBN: 9780300228687
196 pages : illustrations (chiefly color) ; 28 cm
- Publisher: New Haven [Conn.] : Yale University Press, ©2010.
|Bibliography, etc. Note:||Includes bibliographical references (pages 161-186) and index.|
|Formatted Contents Note:||Introduction -- Art's scale -- Credible art -- Disparity is a method -- Citizen Judd -- Physics and fantasy.|
|Summary, etc.:||Raskin traces Judd's principles from his beginnings as an art critic through his installations and designs in Mara, Texas. He discusses Judd's important paintings and idiosyncratic red pieces, as well as the three-dimensional works that are celebrated worldwide. He also examines Judd's commitment to empirical values and his political activism, and concludes with by considering the importance of Judd's example for recent art. We are shown an artist with spare designs, who found spiritual values in plywood, Plexiglass, and industrial production, who did not distinguish between thinking and feeling, asserting that science marked the limits of knowledge, who argued his art provided intutions of morality and who worked for political causes that were neither left nor right.--Publisher.|
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|Subject:||Judd, Donald 1928-1994 Criticism and interpretation|