Alexie confronts as much as he depicts modern Native American life in these stories set in and around the Spokane Indian Reservation. The narrative voice that relates and links these stories is powerful because of its directness. For example, in "A Drug Called Tradition," the narrator explains that Native Americans can sometimes hear their ancestors laughing in the trees, "but we never can tell whether they're laughing at the Indians or the whites. I think they're laughing at pretty much everybody." The narrator's diagnosis is equally direct, and cultural assumptions about the influence of the past on the present and future are clear, but they are not beyond the narrator's scrutiny as he wonders "how each of us constructs our past to justify what we feel now." Both the narrator and the stories he tells offer insights that are well worth reading. ~--Lindsay Throm

With wrenching pain and wry humor, the talented Alexie, a Spokane/Coeur d'Alene Indian--and previously a small-press author (The Business of Fancydancing, a collection of poetry and prose-- not reviewed--etc.)--presents contemporary life on the Spokane Indian Reservation through 22 linked stories. Here, people treat each other (and life) with amused tolerance--although anger can easily erupt in this environment of endemic alcoholism and despair. The history of defeat is ever- present; every attempt to hold onto cultural tradition aches with poignancy: Thomas-Builds-the-Fire is the storyteller everyone mocks and no one listens to; Aunt Nezzy, who sews a traditional full- length beaded dress that turns out to be too heavy to wear, believes that the woman ``who can carry the weight of this dress on her back...will save us all.'' Meanwhile, young men dream of escape--going to college, being a basketball star--but failure seems preordained. These tales, though sad and at times plain- spokenly didactic, are often lyrically beautiful and almost always very funny. Chapters focus on and are narrated by several different characters, but voices and perspectives often become somewhat indistinguishable--confusing until you stop worrying about who is speaking and choose to listen to the voice of the book itself and enter into its particular sensibility. Irony, grim humor, and forgiveness help characters transcend pain, anger and loss while the same qualities make it possible to read Alexie's fiction without succumbing to hopelessness. Forgiveness seems to be the last moral/ethical value left standing: the ability both to judge and to love gives the book its searing yet affectionate honesty. (First printing of 25,000; First serial rights to Esquire and Story)

This work chronicles modern life on the Spokane Indian Reservation. Victor, through whose eyes we view the community, is strongly aware of Native American traditions but wonders whether his ancestors view today's Indians--mired in alcohol, violence, and an almost palpable sense of despair--with sympathy or disgust. In spite of the bleakness of reservation life, the text brims with humor and passion as it juxtaposes ancient customs with such contemporary artifacts as electric guitars and diet Pepsi. The author of two previous poetry collections, Alexie writes with grit and lyricism that perfectly capture the absurdity of a proud, dignified people living in the squalor, struggling to survive in a society they disdain. Highly recommended for all fiction collections. Previewed in Prepub Alert, LJ 5/15/93.-- Dan Bogey, Clearfield Cty. P.L. Federation, Curwensville, Pa. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Known primarily as a poet, Alexie ( Old Shirts and New Skins ), a Spokane/Coeur d'Alene Indian, here offers 22 extremely fine short stories, all set on or around the Spokane reservation in Washington state. Characters flow from one tale to the next; many involve Victor, who grows from a small child watching relatives fight during a New Year's Eve party (``Every Little Hurricane'') to a dissolute man sitting on his broken-down porch with a friend, watching life pass him by (``The Only Traffic Signal on the Reservation Doesn't Flash Red Anymore''). The author depicts with fierce determination all the elements of modern Native American life, from basketball and alcoholism to powwows and the unexplained deaths of insignificant people. Humor and tragedy exist side by side, and stories often jump back and forth in time and space, recounting two narratives that ultimately prove to be skeins of the same tale. Alexie writes with simplicity and forthrightness, allowing the power in his stories to creep up slowly on the reader. He captures the reservation's strong sense of community and attitude of hope tinged with realism as its inhabitants determine to persevere despite the odds. In ``Imagining the Reservation'' (a title that evokes John Lennon's song ``Imagine'') he writes, ``Survival = Anger Imagination. Imagination is the only weapon on the reservation''--a weapon this author wields with potent authority. First serial to Esquire. (Sept.) (c) Copyright PWxyz, LLC. All rights reserved